Mixing Color - One Room Challenge with The Pink Pagoda

Wednesday, October 22, 2014

It is week Four of the One Room Challenge and my work is complete! Our panels, which turned out amazingly, were shipped to Dallas on Monday. Inspired by many color options, we settled on using several shades of pinks as the more prominent color which will add warmth and life to the foyer.



Over the past few weeks, I've documented some of my color mixing techniques used for this project commissioned by Jennifer at The Pink Pagoda. A few weeks ago, I did a post that referenced the colors which were used in our paintings. I would traditionally not use latex paint, but because we chose plywood panels as our canvas, we decided to try a few of the Pantone inspired colors via Valspar's Spring line. I was then able to incorporate my favorite pigments to create a variety of complimenting hues and shades playing off of the main colors.

Whenever I desire a strong pigment for added richness and contrast, I absolutely love Golden's Fluids. These pigments are so strong that they can be diluted and used for additional depth through a watercolor technique. I love how they dry rich vs. dull or muddy.

Above are a few of my favorite paints that allow me to create a plethora of additional colors. The Derivan Matisse line is another favorite of mine when I am looking to create a more opaque layer. For acrylics, these and Golden paints tend to dry truer to color than thinner body paints which I usually only  use as a base or undercoat. The Matisse line is available in several custom and muted colors, but I prefer a bit more control and adjust them by adding other pigments to create a color.

I've always been able to look at a color and create a match like a chef creates flavor. I think it's possibly my strongest asset as an artist. This skill comes very naturally to me. Being self taught, I'm sometimes embarrassed to admit I've never really studied the color wheel until more recently in my career. But, after doing so, it has allowed me to better understand the logistics behind my own personal techniques providing an easy quick reference if needed.



A good example of how my eye sees and mixes color, is the beautiful Stroheim velvet fabric sample Jennifer sent me.  She recently had a settee lacquered and reupholstered with the blue velvet for her entry.

In the image above, what most of us see, is the color blue. However, as soon I saw this fabric sample I knew there was a subtle amount of both green and red in the color. There is, of course, white that would need to be added to create this soft, somewhat chalky shade of blue. As you can see, I was able to create an identical match.

Another method I personally love to use, is creating a custom shade of gray for each specific painting that I'm working on. Grays seem to always "ground" bright or bold colors, and to me, add a beautiful soft transition into the neighboring color. I usually lean towards more moody or muted color palettes and though subtle, they add sophistication even to the primary color family.



One of my favorite methods for creating a custom gray is mixing the two complimenting colors, or sometimes three, that are in the painting, along with white. The gray that is created turns out to be the perfect shade of gray specifically meant for that piece of work. Seen here, I am mixing pink, green, and white for a muted flesh tone with added blue for a warm gray that is perfect for the painting in production.



Now that our paintings are complete, let's head back over to The Pink Pagoda and see what she has been up to with her entry! 






7 comments:

  1. Needless to say I am in awe. I love your work and as a former high school art teacher I am very interested in your methods. Thank you for sharing. I know the panels are going to be lovely in the foyer. Please continue to blog. :)

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    1. Dianne,
      I have always had so much admiration for those who teach. My talented friend Erin McIntosh
      www.erinmcintosh.com is also an art teacher and I am always so amazed with what her eye sees. Thank you for stopping by with your kind words!

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  2. I love this explanation, Christina! Once you said that there was green and red, of course I saw it. You are dead on with a color match. I think real artists are born, not made. You are a real artist.

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    1. Linda, Thank you so much for such a complimenting comment. I truly do not know what to say. It really means a lot. Thank you for also creating such a wonderful and passionate event with The One Room Challenge. I can not begin to express the joy I have had working with Jeniffer. I can not wait to see everyone's rooms! xoxo, c.

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  3. Christina, OH MY GOODNESS!!!! These are just to die for GORGEOUS in person! The photos were beautiful, but don't do justice to their beauty in person. WOW. Thank you so much for taking on this project! Also, I think it's fun that you do these collaborative posts! I learned so much even though I don't paint. Linda couldn't have said it better. I completely concur : )

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    1. Yay!!!! I was so so so happy to hear that they arrived safely and most of all that you loved them. I can not wait to see them framed and hung! Thank you so much for trusting me to create something for a project so dear and personal to you. I'm so honored to have played a role in what's to be a gorgeous and truly heart felt design of your foyer.

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    2. Christina,

      Thanks you for sharing your techniques. I learned to really see and understand color as an undergraduate photo student. I spent hours color correcting my color prints in a traditional wet darkroom. It was invaluable to me finally being able to really understand colors, and the way in which they play off of one another. I love all that you share. Thank you.

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